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Temple of Niké Apteros (the Wingless Victory), on the Acropolis at Athens.

CHAPTER X.

ATHENS IN THE TIME OF PERICLES.

Ar the commencement of the Peloponnesian war Athens was at the height of its glory under the brilliant administration of Pericles. We may therefore here pause to take a brief survey of the city and of its most important buildings. Athens is situated about three miles from the sea-coast, in the central plain of Attica. In this plain rise several eminences. Of these the most prominent is a lofty insulated mountain, with a conical peaked summit, now called the hill of St. George, and which bore in ancient times the name of Lycabettus. This mountain, which was not included within the ancient walls, lies to the north-east of Athens, and forms the most striking feature in the environs of the city. It is tc Athens what Vesuvius is to Naples, or Arthur's Seat to Edin burgh. South-west of Lycabettus there are four hills of moderate height, all of which formed part of the city. Of these the nearest to Lycabettus, and at the distance of a mile from the latter, was the Acropolis, or citadel of Athens, a square craggy rock rising abruptly about 150 feet, with a flat summit of about 1000 feet long from east to west, by 500 feet broad from north to south. Immediately west of the Acropolis is a second hill of irregular form, the Areopagus. To the south-west there rises a third hill, the

Pnyx, on which the assemblies of the citizens were held; and to the south of the latter is a fourth hill, known as the Museum. On the eastern and western sides of the city there run two small streams, which are nearly exhausted before they reach the sea, by the heats of summer and by the channels for artificial irrigation.

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4. Odeum of Pericles. 5. Temple of the Olympian Zeus.

PNYX

HILL

ARE-PAGOS

AGORA

AOROPOLIS

MUSEUM

ILISSUS

Plan of Athens.

1. Pnyx Ecclesia.

2. Theseum.

3. Theatre of Dionysus.

That on the east is the Ilissus, which flowed through the southern quarter of the city: that on the west is the Cephissus. South of the city was seen the Saronic Gulf, with the harbours of Athens.

Athens is said to have derived its name from the prominence given to the worship of Athena by its king Erechtheus. The inhabitants were previously called Cranai and Cecropidæ, from Cecrops, who, according to tradition, was the original founder of the city. This at first occupied only the hill or rock which afterwards became the Acropolis; but gradually the buildings began to spread over the ground at the southern foot of this hill. It was not till the time of Pisistratus and his sons (B. C. 560-514) that the city began to assume any degree of splendour. The most remarkable building of these despots was the gigantic temple of the Olympian

Zeus, which, however, was not finished till many centuries later. In B.C. 500 the theatre of Dionysus was commenced on the southeastern slope of the Acropolis, but was not completed till B.c. 340; though it must have been used for the representation of plays long before that period.

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Xerxes reduced the ancient city almost to a heap of ashes. After the departure of the Persians, its reconstruction on a much larger scale was commenced under the superintendence of Themistocles, whose first care was to provide for its safety by the erection of walls. The Acropolis now formed the centre of the city, round which the new walls described an irregular circle of about. 60 stadia or 7 miles in circumference. The space thus inclosed formed the Asty, or city, properly so called. But the views of Themistocles were not confined to the mere defence of Athens: he contemplated making her a great naval power, and for this purpose adequate docks and arsenals were required. Previously the Athenians had used as their only harbour the open roadstead

of Phalerum on the eastern side of the Phaleric bay, where the sea-shore is nearest to Athens. But Themistocles transferred the naval station of the Athenians to the peninsula of Piræus, which is distant about 4 miles from Athens, and contains three natural harbours-a large one on the western side, called simply Piraus, or The Harbour, and two smaller ones on the eastern side, called respectively Zea and Munychia, the latter being nearest to the city. It was not till the administration of Pericles that the walls were built which connected Athens with her ports. These were at first the outer or northern Long Wall, which ran from Athens to Piræus, and the Phaleric wall connecting the city with Phalerum. These were commenced in B.C. 457, and finished in the following year. It was soon found, however, that the space thus inclosed was too vast to be easily defended; and as the port of Phalerum was small and insignificant in comparison with the Piræus, and soon ceased to be used by the Athenian ships of war, its wall was abandoned and probably allowed to fall into decay. Its place was supplied by another Long Wall, which was built parallel to the first at a distance of only 550 feet, thus rendering both capable of being defended by the same body of men. Their height in all probability was not less than 60 feet. In process of time the space between the two Long Walls was occupied on each side by houses.

It will be seen from the preceding description that Athens, in its larger acceptation, and including its port, consisted of two circular cities, the Asty and Piræus, each of about 7 miles in circumference, and joined together by a broad street of between four and five miles long.

Such was the outward and material form of that city, which during the period between the Persian and Peloponnesian wars reached the highest pitch of military, artistic, and literary glory. The latter portion of this period, or that comprised under the ascendency of Pericles, exhibits Athenian art in its highest state of perfection, and is therefore by way of excellence commonly designated as the age of Pericles. The great sculptor of this period— perhaps the greatest the world has ever seen-was Phidias, to whom Pericles intrusted the superintendence of all the works executed in his administration.

The first public monuments that arose after the Persian wars were erected under the auspices of Cimon, who was, like Pericles, a lover and patron of the arts. The principal of these were the small Ionic temple of Niké Apteros (Wingless Victory), and the Theseum, or Temple of Theseus. The temple of Niké Apteros was only 27 feet in length by 18 in breadth, and was erected on

the Acropolis in commemoration of Cimon's victory at the Eurymedon. A view of it is given at the beginning of this chapter, and its position on the Acropolis, on one side of the Propylæa, is seen in the drawings on p. 91, as well as on the Frontispiece of the work.

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The Theseum is situated on a height to the north of the Areopagus, and was built to receive the bones of Theseus, which Cimon brought from Scyros in B. c. 469. It was probably finished about 465, and is the best preserved of all the monuments of ancient Athens. It was at once a tomb and temple, and possessed the privileges of an asylum. It is of the Doric order, 104 feet in length by 45 feet broad, and surrounded with columns.

But it was the Acropolis which was the chief centre of the architectural splendour of Athens. After the Persian wars the Acropolis had ceased to be inhabited, and was appropriated to the worship of Athena and to the other guardian deities of the city. It was covered with the temples of gods and heroes; and thus its platform presented not only a sanctuary, but a museum, containing the finest productions of the architect and the sculptor, in which the whiteness of the marble was relieved by brilliant colours, and rendered still more dazzling by the transparent clearness of the

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