repose and enjoyment after the fatigues and perils of war. Many of his songs celebrate the pleasures of good eating and drinking; but the more important were intended to be sung by a chorus at the public festivals of Sparta.

ARION was a native of Methymna in Lesbos, and lived some time at the court of Periander, tyrant of Corinth, who began to reign B.C. 625. Nothing is known of his life beyond the beautiful story of his escape from the sailors with whom he sailed from Sicily to Corinth. On one occasion, thus runs the story, Arion went to Sicily to take part in a musical contest. He won the prize, and, laden with presents, he embarked in a Corinthian ship to return to his friend Periander. The rude sailors coveted his treasure, and meditated his murder. After imploring them in vain to spare his life, he obtained permission to play for the last time on his beloved lyre. In festal attire, he placed himself on the prow of the vessel, invoked the gods in inspired strains, and then threw himself into the sea. But many song-loving dolphins had assembled round the vessel, and one of them now took the bard on its back, and carried him to Tænarum, from whence he returned to Corinth in safety, and related his adventure to Periander. Upon the arrival of the Corinthian vessel, Periander inquired of the sailors after Arion, who replied that he had remained behind at Tarentum; but when Arion, at the bidding of P'eri. ander, came forward, the sailors owned their guilt, and were punished according to their desert. The great improvement in lyric poetry ascribed to Arion is the invention of the Dithyramb. This was a choral song and dance in honour of the god Dionysus, and is of great interest in the history of poetry, since it was the germ from which sprung at a later time the magnificent productions of the tragic Muse at Athens.

ALCEUS and SAPPHO were both natives of Mytilēné, in the isl and of Lesbos, and flourished B.C. 610-580. Their songs were composed for a single voice, and not for the chorus, and they were each the inventor of a new metre, which bears their name, and is familiar to us by the well-known odes of Horace. Their poetry was the warm outpouring of the writers' inmost feelings, and presents the lyric poetry of the Ætolians at its highest point.

Alcæus took an active part in the civil dissensions of his native state, and warmly espoused the cause of the aristocratical party, to which he belonged by birth. When the nobles were driven into exile, he endeavoured to cheer their spirits by a number of most animated odes, full of invectives against the popular party and its leaders.

Of the events of Sappho's life we have s arcely any informa

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tion; and the common story that, being in love with Phaon, and finding her love unrequited, she leaped down from the Leucadian rock, seems to have been an invention of later times.

ANACREON was a native of the Ionian city of Teos. He spent part of his life at Samos, under the patronage of Polycrates; and after the death of this despot he went to Athens at the invitation of Hipparchus. The universal tradition of antiquity represents Anacreon as a consummate voluptuary, and his poems prove the truth of the tradition. His death was worthy of his life, if we may believe the account that he was choked by a grape-stone.

SIMONIDES, of the island of Ceos, was born B. c. 556, and reached a great age. He lived many years at Athens, both at the court of Hipparchus, together with Anacreon, and subsequently under the democracy during the Persian wars. The struggles of Greece for her independence furnished him with a noble subject for his muse. He carried away the prize from Eschylus with an elegy upon the warriors who had fallen at the battle of Marathon. Subsequently we find him celebrating the heroes of Thermopyla, Artemisium, Salamis, and Platea. He was upwards of 80 when his long poetical career at Athens was closed with the victory which he gained with the dithyrambic chorus in B.C. 477, making the 56th prize that he had carried off. Shortly after this event he repaired to Syracuse at the invitation of Hiero. Here he spent the remaining ten years of his life, not only entertaining Hiero with his poetry, but instructing him by his wisdom; for Simonides was a philosopher as well as a poet, and is reckoned amongst the sophists.

PINDAR, though the contemporary of Simonides, was considerably his junior. He was born either at, or in the neighbourhood of Thebes in Boeotia, about the year 522 B.C. Later writers tell us that his future glory as a poet was miraculously foreshadowed by a swarm of bees which rested upon his lips while he was asleep, and that this miracle first led him to compose poetry. He commenced his professional career at an early age, and soon acquired so great a reputation, that he was employed by various states and princes of the Hellenic race to compose choral songs. He was courted especially by Alexander, king of Macedonia, and by Hiero, despot of Syracuse. The praises which he bestowed upon Alexander are said to have been the chief reason which led his descendant, Alexander the Great, to spare the house of the poet

Pindar.

when he destroyed the rest of Thebes. The estimation in which Pindar was held is also shown by the honours conferred upon him by the free states of Greece. Although a Theban, he was always a great favourite with the Athenians, whom he frequently praised in his poems, and who testified their gratitude by making him their public guest, and by giving him 10,000 drachmas. The only poems of Pindar which have come down to us entire are his Epinicia or triumphal odes, composed in commemoration of victories gained in the great public games. But these were only a small portion of his works. He also wrote hymns, pæans, dithyrambs, odes for processions, songs of maidens, mimic dancing-songs, drinking-songs, dirges, and encomia, or panegyrics on princes.

The Greeks had arrived at a high pitch of civilization before they can be said to have possessed a History. The first essays in literary prose cannot be placed earlier than the sixth century before the Christian era; but the first writer who deserves the name of an historian is HERODOTUS, hence called the Father of History. Herodotus was born in the Dorian colony of Halicarnassus in Caria, in the year 484 B.C., and accordingly about the time of the Persian expeditions into Greece. He resided some years in Samos, and also undertook extensive travels, of which he speaks in his work. There was scarcely

HPOAOTOC

Herodotus.

a town in Greece or on the coasts of Asia Minor with which he was not acquainted; he had explored Thrace and the coasts of the Black Sea; in Egypt he had penetrated as far south as Elephantiné; and in Asia he had visited the cities of Babylon, Ecbatana, and Susa. The latter part of his life was spent at Thurii, a colony founded by the Athenians in Italy in B.C. 443. According to a well-known story in Lucian, Herodotus, when he had completed his work, recited it publicly at the great Olympic festival, as the best means of procuring for it that celebrity to which he felt that it was entitled. The effect is described as immediate and complete. The delighted audience at once assigned the names of the nine Muses to the nine bocks into which it is divided. A still later author (Suidas) adds, that Thucydides, then a boy, was present at the festival with his father Olorus, and was so affected by the recital as to shed tears; upon which Herodotus congratulated Olorus on having a son who possessed so early such a zeal for knowledge. But there are many objections to the probability of these tales.

Herodotus interwove into his history all the varied and extensive knowledge acquired in his travels, and by his own personal

researches. But the real subject of the work is the conflict between the Greek race, in the widest sense of the term, and including the Greeks of Asia Minor, with the Asiatics. Thus the historian had a vast epic subject presented to him, which was brought to a natural and glorious termination by the defeat of the Persians in their attempts upon Greece. The work concludes with the reduction of Sestos by the Athenians, B.C. 478. Herodotus wrote in the Ionic dialect, and his style is marked by an ease and simplicity which lend it an indescribable charm. THUCYDIDES, the greatest of the Greek historians, was an Athenian, and was born in the year 471 B.C. His family was connected with that of Miltiades and Cimon. He possessed gold mines in Thrace, and enjoyed great influence in that country. He commanded an Athenian squadron of seven ships at Thasos, in 424 B.C., at the time when Brasidas was besieging Amphipolis; and having failed to relieve that city in time, he went into a voluntary exile, in order probably to avoid the punishment of death. He appears to have spent 20 years in banishment, principally in the ΘΟΥΚΥΔΙΔΗΣ Peloponnesus, or in places under the dominion Thucydides. or influence of Sparta. He perhaps returned to Athens in B.C. 403, the date of its liberation by Thrasybulus. According to the unanimous testimony of antiquity, he met with a violent end, and it seems probable that he was assassinated at Athens, since it cannot be doubted that his tomb existed there. From the beginning of the Peloponnesian war he had designed to write its history, and he employed himself in collecting materials for that purpose during its continuance; but it is most likely that the work was not actually composed till after the conclusion of the war, and that he was engaged upon it at the time of his death. The first book of his History is introductory, and contains a rapid sketch of Grecian history from the remotest times to the breaking out of the war. The remaining seven books are filled with the details of the war, related according to the division into summers and winters, into which all campaigns naturally fall; and the work breaks off abruptly in the middle of the 21st year of the war (B.C. 411). The materials of Thucydides were collected with the most scrupulous care; the events are related with the strictest impartiality; and the work probably offers a more exact account of a long and eventful period than any other contemporary history, whether ancient or modern, of an equally long and important æra. The style of Thucydides is brief and sententious, and whether in moral

or political reasoning, or in description, gains wonderful force from its condensation.

But this characteristic is sometimes carried to a faulty extent, so as to render his style harsh, and his meaning obscure.

XENOPHON, the son of Gryllus, was also an Athenian, and was probably born about B.c. 444. He was a pupil of Socrates, who saved his life at the battle of Delium (B.c. 424). His accompanying Cyrus the younger in his expedition against his brother Artaxerxes, king of Persia, formed a striking episode in his life, and has been recorded by himself in his Anabăsis. He seems to have been still in Asia at the time of the death of Socrates in 399 B.C., and was probably banished from Athens soon after that period, in consequence of his close connexion with the Lacedæmonians. He accompanied Agesilaus, the Spartan king, on the return of the latter from Asia to Greece; and he fought along with the Lacedæmonians against his own countrymen at the battle of Coronea in 394 B.C. After this battle he went with Agesilaus to Sparta, and soon afterwards settled at Scillus in Elis, near Olympia. He is said to have lived to more than 90 years of age, and he mentions an event which occurred as late as 357 B.C.

Probably all the works of Xenophon are still extant. The Anabasis is the work on which his fame as a historian chiefly rests. It is written in a simple and agreeable style, and conveys much curious and striking information. The Hellenica is a continuation of the history of Thucydides, and comprehends in seven books a space of about 48 years; namely, from the time when Thucydides breaks off, B.C. 411, to the battle of Mantinea in 362. The subject is treated in a very dry and uninteresting style; and his evident partiality to Sparta, and dislike of Athens, have frequently warped his judgment, and must cause his statements to be received with some suspicion. The Cyropadia, one of the most pleasing and popular of his works, professes to be a history of Cyrus, the founder of the Persian monarchy, but is, in reality, a kind of political romance, and possesses no authority whatever as an historical work. The design of the author seems to have been to draw a picture of a perfect state; and though the scene is laid in Persia, the materials of the work are derived from his own philosophical notions and the usages of Sparta, engrafted on the popularly current stories respecting Cyrus. Xenophon displays in this work his dislike of democratic institutions like those of Athens, and his preference for an aristocracy, or even a monarchy. Xenophon was also the author of several minor works; but the only other treatise which we need mention is the Memorabilia of Socrates, in four books, intended as a defence of his master against the